[此贴子已经被作者于2010-8-17 20:42:46编辑过] <h1>悼念陆地前辈</h1><p>韦其麟</p><p><br/> 8月7日，陆地同志逝世了。</p><p> 噩耗传来，心情沉重，为失去这位德高望重的师长而悲痛。</p><p> 半个多世纪，这位文学前辈为我们的文学艺术事业付出了许多辛劳，作出了令人钦仰的卓著的贡献。</p><p> 他青年时代就奔赴延安，投身革命的洪流。在鲁迅文学艺术学院学习和工作时，开始了文学创作，发表作品。后到东北，担任文学编辑，同时也创作，发表了不少中、短篇小说和散文，出版了短篇小说集《北方》和中篇小说集《生死斗争》以及《怎样学文学》等著作。</p><p> 新中国成立后，他回到广西，一直担任广西文学艺术工作的领导。曾任自治区宣传部副部长、广西文联主席、广西作协主席、文联和作协的名誉主席。广西文学艺术事业的发展和繁荣，和他分不开，他为文学艺术奉献了毕生的精力。</p><p> 上世纪50年代，他创作的《美丽的南方》，是壮族文学史上第一部反映壮族生活的长篇小说，开创了广西有了长篇小说的历史。作品对那个时代现实所作的丰富壮阔的艺术表现，在壮族文学和广西文学的历史上是空前的。80年代初期出版的一百多万字的巨著、他的另一部长篇小说《瀑布》，他说是他“用生命写成的书”。写的是革命历史题材，是一幅壮丽多彩的画卷，是壮族文学史上一座高耸的里程碑。他的作品不仅是我们壮族文学的瑰宝，他的文学成就也是中国现、当代文学重要的收获。</p><p> 和他认识半个世纪了，也曾在他领导下工作，曾得到他的教诲、帮助、关怀和爱护。他的成就，他的为人，他的形象，对于我是难以磨灭的。如今他走了，永远离开了人间，而他的文章道德，将长留在我们心中，长留在人间。（作者为著名作家。《百鸟衣》作者）</p><founder-content></founder-content> <p><font face="黑体" size="5">陆地老人家，一路走好</font></p><p>彭匈</p><p> 陆地老人家走了。年逾九秩，应是喜丧。</p><p> 说来惭愧，初闻陆地大名，自然是从他的长篇《美丽的南方》，而真正识得他的文学造诣，则是在那浩劫年月连篇累牍的大批判中。那时，报纸上万炮齐轰他的一个中篇小说《故人》。既说是“大毒草”，也得先找原文来看看嘛。还真是那句话没说错，不看不知道，一看吓一跳——我们广西竟还有如此实力雄厚并独具慧眼的作家！实话说，《故人》中黎尊民形象的立体与丰富，使我大为感慨。我读过的小说不算少了，在脑海中留下印象的人物却是不多，而陆地塑造的这个人物却至今在我心中占有一席之地。我衡量一个成功作家的标准是两条，一是看他塑造的人物站立起来了没有，二是语言有没有形成自己的风格。舍此，哪怕著作等身，也是枉然。陆地的另一篇小说，在延安时写的《落伍者》，那个上了年纪的总是不能跟上队伍的解放战士，也是艺术形象中成功的“这一个”。</p><p> 第一次近距离接触陆地，是在1985年夏天。他和夫人来到桂林，我们漓江出版社的几位便自然是东道主了。我们陪他到灵川游了青狮潭水库，大家起初兴致都很高，一个钟头之后便都有些木然了。为何？一来二去，终于找出了原因，景致雷同。水面阔大，水波不兴，一样的丘陵，一样的竹木，的确很容易造成审美疲劳的。话题一转，我们从周围景色谈到了文学创作。陆地说，文学创作上的雷同，那才是个不可救药的毛病。回到桂林，我在家中设便宴请他伉俪，他给我送了一套亲笔签名的中国青年出版社刚刚出版的长篇小说《瀑布》。</p><p> 陆地值得我们缅怀和学习的，不仅仅是他的作品。他写的《陆地自传》和潘荣才写的《陆地传》我都饶有兴趣地拜读过。其中最让人感慨万千的是那难忘的延安岁月。从中我读出陆地的丰富多彩如同山阴道中的感情生活，读出他经霜不改其节九死未折其志的文学情怀的同时，还读出了他特立独行的个性和绝不肯屈从某些貌似强大的大人物的卓然品格，读出了他性格中南方人特有的倔强、从容、淡定与诙谐。这个印象在后来的一次接触中得到了印证。1989年初夏，我们一行数人有幸陪同陆地同志去贵州参加西南作家联谊会。一路上相处甚欢。他讲了不少当年延安名人故事。说到一位延安时期就很有名气的散文家时，我插话说这位作家的文字和意境都很优美，陆地说，何止是文字和意境，他整个人都是个唯美主义者，连摔跤都要讲究个优美姿势。众皆大笑。又因我前不久才接待过这位老作家，少不得浮想联翩，路上一直止不住笑。</p><p> 哲人其已萎，托体同山阿。我辈当努力，文脉期永续。</p><p> （作者为著名作家，曾任漓江出版社社长、广西人民出版社总编辑）</p><p><founder-content></founder-content><input type="checkbox" name="titlecheckbox" sourceid="" style="DISPLAY: none;"/></p> <p><font face="黑体" size="5">陆地，永远活着</font></p><p><font size="4">潘荣才</font></p><p>在灵堂上向陆地的遗体告别时，看见他那张熟悉的脸孔依然这么亲切、这么和霭、这么慈祥，只是紧闭着眼睛宛如在酣梦，一切都还是平时那种恬淡的神情，让人觉得和常日相处一个样，彼此之间仍然密不可分，以致我泣不成声，悲哽为咽，好像担心惊扰他似的。直至一步踏出灵堂门坎，仿佛才真正明白他的溘逝如此突然、如此无情、又如此真实，一经最后送别便成永诀，于是再也无法憋住，源自内心深处的泪泉喷涌而出，怆恸号啕起来。他的谢世深深所震动的不仅仅是我一个人，而对于当今文坛同样会引起多么巨大的惊惜呵！</p><p> 陆地是20世纪30年代以来中国一代进步知识分子的典型代表，他从1937年19岁以《期考前夜》初涉文坛，到1999年81岁以《遗憾》宣布封笔，在小说作品中用独特的“陆地式”叙事风格塑造出由辛亥革命时期至20世纪80年代中国历史潮流中不同时期、不同类型、不同个性的知识分子画廊，赋予作品美学意味与人性光辉，从而把“美丽”永远地留在了“南方”乃至人间。著名作家丁玲在《访美散记》一书中，将我国文坛以五个时代来划分五代作家，其中第三代是抗日和解放战争时期（1937年至1949年），“他们为挽救民族危亡，参加民主革命洪流，在波澜壮阔的浪涛中锻炼，拿起锄头种地，拿起枪杆打仗，拿起笔杆写文章”。书中指名道姓提到了具有代表性的“兄弟民族作家”——“壮族的陆地”。正是这样，中国作家协会于1995年为纪念抗战胜利50周年特给86名抗战作家颁发《以笔为枪，投身抗战》的纪念牌，陆地就获此殊荣。</p><p> 我有这样一种感受：陆地即使人走了，可却还在他的作品中、在人们的心中活着——活着的是他的性格，他的为人，他的精神，他的人格力量,他的文学之魂以及作品魅力，成为没有休止符的怀念咏叹调。</p><p> 此刻回想起来，作为一个后辈，我与陆地那样的前辈每每相聚能敞开心扉，少拘束和防嫌，多随和与亲近，实在是太过可贵了。而这样一种福气又并非被我一人所独享，往往是跟他熟悉的后一辈人对他弥足珍贵的总印象。</p><p> 记得我踏出校门不久，他就点名要我们几个年轻人下乡搞“四清”进行锻炼。有位青年刚失恋而思想包袱沉重，他就把几个年轻人找来，坐在田野上促膝谈心，现身说法、和言悦色、娓娓道来，不时还旁征博引，寓理于情，让人听后仿佛服下一帖清补凉，于循循善诱的温情中深受裨益。1993年2月，他为我的短篇小说集《遍地黄金》写序，以“个人在文学创作的生涯中，先后不同阶段所体验的三点认识”为例，深入浅出、鞭辟入里地道出了“创作心得的话”（收进陆地自传《直言真情话平生》以及最近出版的作品选《矗山暮影》）。也许，正是这种突破辈分的感情随着岁月递增达到了热切的程度，所以二十多年前他在一篇题为《崇左纪行》的文章开头中写着“……会议的主持者小潘（荣才）”。这里，显然按着习惯称为“小潘”以示素来的熨帖，可又觉得现时“廉颇老矣”已属“老潘”就不能不添上“荣才”作为备注加以说明。</p><p> 就凭着这些纽带的紧密联系，我们时常聆听他的亲切教诲，接受他的思想熏陶，领悟他的启迪滋润，时时事事都以他为榜样，无处不在地心仪着他。直至如今，每念及他便有一种温暖亲热的感觉荡漾心尖，震颤灵魂。</p><p> 陆地确乎是一个富于人情味、平易随和的普通人！无怪乎有位哲人说：真正的作家，从不以作家自居。</p><p> 换言之，不以作家自居，而以作家为生命，又用生命来写作，才足以写出真正的作品，才足以誉为真正的作家。故此，陆地确凿是以一个真正作家的形象铭刻在人们心目中的！</p><p> （本文作者为《广西文学》原副主编、编审，《陆地传》作者）</p><p><founder-content></founder-content></p> <p><font face="黑体" size="5">深切的怀念</font></p><p>覃芝馨</p><p>8月9日下午，接到陈南南的电话，说他父亲陆地于7日上午8时16分，于广西医科大高干病房去世。中国文坛的名人、长篇小说《美丽的南方》作者陆地，走完了他坎坷而光辉的一生。</p><p> 陆老于1938年从南到北投身革命，建国后又从北到南回归广西任职。从1951年2月到1952年5月，先后到邕宁县（今南宁市郊）的心圩、石埠、江西一带搞清匪反霸、土地改革。我因参加编写《南宁市郊区志》，为了解这段历史，多次拜访这位德高望重的老一辈作家，他的高尚情操、渊博知识、敏锐的社会观察力、不倦的学习和笔耕精神深深地教育着我，使我终身受益。</p><p> 多年来的接触，陆老令我印象最深、最受感动的有几件事。</p><p> 一是体贴贫苦农民。有一次谈土改工作，陆老问我，土改初阶段，他曾住在和安村邓树生两兄弟孤儿家，他们现在生活好吗？帮打听一下。当我了解后告诉他，他当时虽然患高血压在疗养，还是决定去探望这两兄弟。见面时，陆老很激动地流下眼泪，问邓树孙现在一年收入多少？有几个儿子？邓一一告诉他，陆老很高兴。回程路上，陆老告诉我，这已经是第五次回来探望他们了。土改后的1953年，他因工作需要到和安检查工作，也和两兄弟孤儿一起住食，虽然邓树生兄弟土改政治上翻了身，但生活仍然艰苦，公粮都交不起，后来陆老帮他们交了一年公粮。陆老还对我说，自从1938年投身延安到1950年回广西工作后，只回扶绥县东门老家一次，探望年老的母亲，在老家住了两个晚上就匆匆忙忙回南宁上班。</p><p> 二是生命不息、笔耕不止。进入二十世纪末，陆老已跨入80高龄，身体欠佳，经常住院治疗。他住在医院仍坚持写作。1999年11月在江滨医院留医时，他整理出版几十年来发表的短篇，书名《浪漫的诱惑》，2001年又整理出版了《广西当代少数民族作家丛书.陆地卷》。接着又用近两年时间写自己的自传，于2004年12月出版，书名《直言真情话生平.陆地自传》。</p><p> 三是嗜书如痴。他住医院，每次我去探望都见他床头推着几本新出版的书，如发现书中传递着什么新信息，他便热情地向人们推介。2004年4月我到江滨医院看望他，他从床头拿出《往事并不如烟》（章诒和著）、《中国农民调查》（陈桂棣、春桃著）给我看，说这两书的作者提出一些很值得思考的问题。他爱读书，正如他在《文坛来去》一文中说，“自幼嗜书如痴，文学成了初恋情人”。</p><p> （作者为南宁市林业局退休干部）</p><p><founder-content></founder-content></p> <p><font face="黑体" size="5">怀念恩师陆地</font></p><p>凌渡</p><p> 陆老病重期间，我们一直想去探望他，但由于治疗和护理严格，医院谢绝外人出入。自此我只有不断为他祈福了，期盼他早日恢复健康，以共同迎接他93岁华诞的到来。不想8月9日我刚从外地归来，突然闻到他溘然长逝的噩耗，悲恸之情，不禁如疾风急浪掠过心间，让我久久不能平静。</p><p> 不久前，我曾经在一篇短文提到陆老“他的一生，尽管已经历沉浮的痛苦，但始终毁弃不去他对文学的信念，对文学品质的神圣坚守，毁弃不去他襟怀坦白、淡泊物外、清正平和、与人为善的可贵品格”。陆老之所以让人仰望，不正是由于他这样勤奋、执著、正直、谦逊和清白为人的情操么。他直至晚年，还常书写些辞条格言，贴在书房，表达心声。“咀嚼人生品百味，唯真善美可当茶”、“生涯有限一场梦，童言无忌千行诗”以及“与人为善，知足常乐”等等。</p><p> 陆老爱才，关心和激励青年一代文艺工作者努力上进、求索、创新。记得“文革”刚刚结束，陆老被冲击、被错误批斗的事还没有落实政策，没有得到平反、纠正，他已精神焕发，兴致勃勃，走到业余文艺爱好者中间去了。他平易近人，很有亲和力。那些年，我曾陪同他外出好一些地方，每到一地，文艺爱好者们都喜欢和他在一起，或座谈，或谈心，让他传授创作经验，解说写作常识。1976年12月，一日在大新，关于小说创作他滔滔不绝，谈了“人物和故事的关系；主题和题材的关系；概念和形象的关系；典型和一般的关系；创作和模仿的关系”等5个大问题，一谈就是两三个钟头。1979年春在龙胜，他不断谆谆教导业余作者，“写自己最熟悉的，是文艺创作一个重要原则。同时，写熟悉的东西，还要看它有无社会意义。因为这样，才能引起人民大众的共鸣。”尤其陆老最喜欢谈的写小说的要素，“一要像写信一样，对亲朋诉说那样真诚、真实、自然；二要像写情书一样，要像对情人倾说似的向人民大众吐露心声。以后每一次提笔，再写新作品时，更要像又谈一次恋爱一样，一样地专心，一样保持着新鲜的感觉。”既生动形象有趣，又十分智慧。它最为大家所津津乐道，把它当作美谈一直互相传播着。可见陆老作为文学老前辈，在大家心里德高望重，深受欢迎和爱戴。提起关于陆老对青年作家的关怀，又让我记起，还是1979年春的一天，我们从三江赴龙胜途中，车经过某野外工地营房旁，陆老忽然叫停车。原来他知道儿童文学作家李春鲜住在这里，顺道过来看望的。陆老当时头上还戴着“帽子”，却坦坦荡荡走下来抚慰别人了，不能不令人感动。李春鲜在上世纪60年代，因为科学童话《仙境彩霞》一书而在文坛上颇有点名气。又如，陆老作诗悼念英年早逝的文艺家，痛惜他们过早离去，也一样说明陆老他爱才、怜才的心怀。如1978年《悼青年作家曾海军》：“拂面尘砂风满天，成荫树下忆华年；古渡难寻人去后，甘棠桥上望囱烟。”1991年《哭画家雷德祖》：“烛灭应怜蜡未尽，迎风蛛网系真情；何如摧折皆木秀，丹青遗世见平生。”</p><p> 我是尊陆老为师的，因为我深受陆老的影响，才走上文学的道路。刚步入青年时代，在陆老故里村中当小学教师时，在父辈们有口皆碑的谈吐里，我已知道了陆老。但直至大二，我才在桂林榕湖饭店看见陆老。当时他和我们谈他即将出版的长篇小说《美丽的南方》的创作情况。大四上半期，即1962年秋，我在柳州实习，约一同学一起去羊角山疗养院拜访他。他的平易、随和、健谈，使我忘了拘谨，和他像聊家常一样谈起来。闲谈中，陆老深入浅出同我们谈起他另一部长篇小说的创作：长篇《瀑布》的人物设想，结构布局，故事走向，甚至要塑造的某一些枝枝叶叶的细节。由于陆老的热情，在大学读书期间，我鼓起勇气给他写了一些信，而他每信必复。信大多是鼓励我努力读书，先立德，做好人，再立事，去作文。后来在工作中，陆老也一直关怀着我，教诲我。但他一般不直奔主题，往往在自由闲谈中，让我去慢慢领悟。如1983年有次，我在天峨红水河下塘英捡得几枚可把玩的花纹石送给他。他就对我说：“文学艺术也应像花纹石那样。这些石块不知要经过多少次河水的精雕细琢，冲洗，砥砺，又不知经过多少年代，才变成这样多彩多姿，美观好看。文学创作，如果没有努力去集中精力苦干，是不会成功的。”所以，在我人生的漫漫旅途中，我无不感激陆老对我的一片苦心。</p><p> 陆老，您走好。我们会永远怀念着您。</p><p> （作者为散文家，《广西文学》原副主编、编审）</p> <p><font size="6"> <img title="僚人家园" alt="按此在新窗口浏览图片" src="http://www.rauz.net.cn/bbs/UploadFile/2010-8/201081212201934173.jpg" border="0"/></font></p><p><font size="6"></font></p><p align="center"><font size="6"> 梁大岭痛悼陆地</font></p><p align="center"><font size="6"> (汉字军话)</font></p><p align="center"><font size="6"> 才失怀升又失地,</font></p><p align="center"><font size="6"> 美丽南方涌泪泣!</font></p><p align="center"><font size="6"> 先贤而今尽古稀,</font></p><p align="center"><font size="6"> 后继文才谁使犁?</font></p><p align="center"><font size="6"> 三姐不幸带凉笠,</font></p><p align="center"><font size="6"> 岭南失声幡无旗!</font></p><p align="center"><font size="6"> 豪言壮语不自由,</font></p><p align="center"><font size="6"> 彻夜歌声数泪遗!</font></p><p align="center"><font size="6"></font></p><p align="center"><br/><br/><br/><br/><br/><br/><br/></p>
[此贴子已经被作者于2010-8-19 2:35:34编辑过] <p><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr></font><font size="6"><img title="僚人家园" alt="按此在新窗口浏览图片" src="http://www.rauz.net.cn/bbs/UploadFile/2010-8/20108121233337288.jpg" border="0" real_src="http://www.rauz.net.cn/bbs/UploadFile/2010-8/20108121233337288.jpg" style="WIDTH: 700px; HEIGHT: 900px;"/><br/></font></p><p><br/> <wbr></wbr><wbr></wbr><a href="http://photo.blog.sina.com.cn/showpic.html#blogid=6292bed80100lo4o&url=http://static3.photo.sina.com.cn/orignal/6292bed8g8e1d87e14142" target="_blank"><img title="梁大岭痛悼陆地" height="522" alt="梁大岭痛悼陆地" src="http://static3.photo.sina.com.cn/middle/6292bed8g8e1d87e14142&690" width="690" real_src="http://static3.photo.sina.com.cn/middle/6292bed8g8e1d87e14142&690"/></a><br/><br/><a href="http://photo.blog.sina.com.cn/showpic.html#blogid=6292bed80100lo4o&url=http://static14.photo.sina.com.cn/orignal/6292bed8g8e1d88b7a23d" target="_blank"><img title="梁大岭痛悼陆地" height="522" alt="梁大岭痛悼陆地" src="http://static14.photo.sina.com.cn/middle/6292bed8g8e1d88b7a23d&690" width="690" real_src="http://static14.photo.sina.com.cn/middle/6292bed8g8e1d88b7a23d&690"/></a><br/><br/><br/></p><p><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 2010年8月7日上午，著名作家陆地因病医治无效逝世，魂归美丽的南方。</font></p><p><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 陆地，原名陈克惠，化名陈寒梅，壮族，<font face="Times New Roman">1918</font>年<font face="Times New Roman">11</font>月<font face="Times New Roman">18</font>日<font face="Times New Roman">(</font>农历十月十五日夜<font face="Times New Roman">)</font>出生于广西扶绥县东门镇一户姓陈的农家。曾就学于广州培桂高中、广东省立第一师范学校，<font face="Times New Roman">1938</font>年到延安，同年加入中国共产党，<font face="Times New Roman">1940</font>年毕业于延安鲁迅艺术文学院文学系。历任延安鲁艺研究员，延安部艺（部队艺术学校）文学教员，延安《部队生活报》特派记者、编辑，东北日报社副刊部编辑组长，中共梧州市委宣传部部长，中共广西区党委宣传部秘书长、副部长及文化局副局长，广西文联党组书记。全国第三、四届政协委员，全国文联第三、四届委员，广西作家协会首届主席，广西文联主席、名誉主席，中国作家协会第四届理事、第五届顾问等。<font face="Times New Roman">1937</font>年开始发表作品。<font face="Times New Roman">1953</font>年加入首批中国作家协会。</p><p><br/> <wbr></wbr><wbr></wbr></p><p><br/> <wbr></wbr><wbr></wbr></p><p><br/> <wbr></wbr><wbr></wbr></p><p><font face="Times New Roman"><br/></font></p><p><br/> <wbr></wbr><wbr></wbr></p><p> 著有长篇小说《美丽的南方》、《瀑布》，短篇小说集《好样的人》、《故人》，纪实文学《青春独白》，综合文选《陆地作品选》、《劫后余灰》、《矗山暮影》，中短篇小说《浪漫的诱惑》、《广西当代少数民族作家丛书—陆地卷》，诗稿《落花集》，文论集《怎样学文学》、《写作杂谈》、《创作余谈》等。<font face="Times New Roman"><br/></font></p><p><br/> <wbr></wbr><wbr></wbr></p><p><br/> <wbr></wbr><wbr></wbr></p><p><br/> <wbr></wbr><wbr></wbr></p><p><br/> <wbr></wbr><wbr></wbr> 《瀑布》<font face="Times New Roman">(</font>第<font face="Times New Roman">1</font> 部《长夜》<font face="Times New Roman">)</font>获全国首届少数民族文学创作长篇小说一等奖，《瀑布》<font face="Times New Roman">(</font>第<font face="Times New Roman">2</font>部《黎明》<font face="Times New Roman">)</font>获广西首届“振兴广西文艺创作铜鼓奖”。<font face="Times New Roman"><br/></font></p><p><br/> <wbr></wbr><wbr></wbr></p><p><font face="Times New Roman">《美丽的南方》由作家出版社出版，后数次再版，发行26万册；瀑布发行17万册，创下广西作家之奇迹。</font></p><p><br/> <wbr></wbr><wbr></wbr></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr>梁大岭痛悼陆地</font></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr>(汉字军话)</font></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 才失怀升又失地,</font></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 美丽南方涌泪泣!</font></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 先贤而今尽古稀,</font></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 后继文才谁使犁?</font></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 三姐不幸带凉笠,</font></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 岭南失声幡无旗!</font></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 豪言壮语不自由,</font></p><p align="center"><font size="6"><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr><br/> <wbr></wbr><wbr></wbr> 彻夜歌声数泪遗!</font></p>
[此贴子已经被作者于2010-8-19 2:53:03编辑过] <p><font size="6">大卵,我帮你改改 哈哈!</font></p><p><font size="6">昨别怀升今失地</font></p><p><font size="6">先贤满艺却古稀</font></p><p><font size="6">南方桑田成沧海</font></p><p><font size="6">后继文才怎使犁?</font></p><p align="center"><font size="6"> 不幸三姐戴凉笠</font></p><p align="center"><font size="6"> 乌鸦换皮上金枝</font></p><p align="center"><font size="6">可怜僚家画眉鸟</font></p><p align="center"><font size="6">身困漓江当鸬鹚 !</font></p><p align="center"><font size="6"></font></p><p align="center"><br/></p>
[此贴子已经被作者于2010-8-19 21:54:34编辑过]
回复：（称最）大卵,我帮你改改 哈哈!昨别怀升今失地先...
称最真牛，太神了。能不能作壮诗呢？ <p><font size="6">昨别怀升今失地</font></p><p><font size="6">haemh soengq vaizsing haet saet <font color="#ff3300">deih</font>,</font></p><p><font size="6">先贤满艺却古稀</font></p><p><font size="6">canghlaux fwngz gaengq <font color="#ff0000">neix</font> bi'<font color="#3809f7">geq</font>. </font></p><p><font size="6">南方桑田成沧海</font></p><p><font size="6">baihnamz doenghnaz baenz Tah<font color="#0909f7">leh</font>,</font></p><p><font size="6">后继文才怎使犁?</font></p><p><font size="6">laeng <font color="#0000ff">lw</font> hohseng yawz dawzcae? </font></p><p align="center"><font size="6"> 不幸三姐戴凉笠</font></p><p align="center"><font size="6">sim liengz dahsam daenj gyaep<font color="#ff3300">baengz</font>,</font></p><p align="center"><font size="6"> 乌鸦换皮上金枝</font></p><p align="center"><font size="6">roegga lieg <font color="#ff0033">naeng</font> hwnj go<font color="#ff0066">leiz</font>,</font></p><p align="center"><font size="6">可怜僚家画眉鸟</font></p><p align="center"><font size="6">hojlienz roegciu mbanjraeuz <font color="#f70938">neix</font></font></p><p align="center"><font size="6">身困漓江当鸬鹚 !</font></p><p align="center"><font size="6">gyaeng ndaw raemx<font color="#ff0066">leiz</font> guh(dang) luzceiz!</font></p> <div class="msgheader">QUOTE:</div><div class="msgborder"><b>以下是引用<i>伤疤好咯</i>在2010-8-19 22:23:10的发言：</b><br/>称最真牛，太神了。能不能作壮诗呢？</div><p>这是一个杯具</p> <div class="msgheader">QUOTE:</div><div class="msgborder"><b>以下是引用<i>称最</i>在2010-8-19 21:53:46的发言：</b><br/><p><font size="6">大卵,我帮你改改 哈哈!</font></p><p><font size="6">昨别怀升今失地</font></p><p><font size="6">先贤满艺却古稀</font></p><p><font size="6">南方桑田成沧海</font></p><p><font size="6">后继文才怎使犁?</font></p><p align="center"><font size="6"> 不幸三姐戴凉笠</font></p><p align="center"><font size="6"> 乌鸦换皮上金枝</font></p><p align="center"><font size="6">可怜僚家画眉鸟</font></p><p align="center"><font size="6">身困漓江当鸬鹚 !</font></p><p align="center"><font size="6"></font></p><p align="center"><br/></p><br/><div align="right"><font color="#808080">[此贴子已经被作者于2010-8-19 21:54:34编辑过]</font></div></div><p><font size="6">多谢斧正,但我觉得少了很多东西,首先少了"<font size="6">美丽南方涌泪泣!"体现不出痛悼,"美丽南方涌泪泣"是一语双关的,既是陆老作品,又指美丽壮乡,美丽壮乡为什么哭泣?我仿佛听到靖西鹅泉在哭,漓水柳江也在哭的!我用"地"也是一语双关的!二是少了我的痛哭,我哭"先贤而今尽古稀"是因为担心壮族开国将军尽作古和政坛及文坛先贤尽古稀后,大厦将倾!</font><font size="6">我哭"后继文才谁使犁?"是哭问后继文才还有谁为美丽壮乡耕耘?是哭问屈原国殇式的使犁----"诚既勇兮又以武， 终刚强兮不可凌。 身既死兮神以灵， 子魂魄兮为鬼雄。"文才也包括文艺及文治之才,同时我也在鞭策自已要为美丽壮乡使犁,生为人杰,死为鬼雄!</font><font size="6">凉笠白布帘,在我眼中是白幡,僚三姐为僚壮乡带孝了!"</font><font size="6">岭南失声幡无旗!"是隐喻象征,隐喻象征不便说出来的现象,如陆老追悼会为什么主席不致悼词或不送挽联?旧式共产党人如毛朱周等是很有人情味的!陆老是革命老人</font><font size="6"> ,不仅仅是壮族作家!"豪言壮语不自由,</font><font size="6">彻夜歌声数泪遗!"是感时,是痛哭"国破山河在,城春草木深."的!壮语文不立法、不普及以及壮语卫视不开播,在我眼中壮族壮乡彻夜悲歌,哭干泪水还在数着泪痕痛哭......</font></font></p><p><font size="6"> "怎使犁?"阿屎不出赖地硬,听天由命,这是我要扭转的!</font></p><p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">好是好,但场景少,主题不够宏大悲壮!</font></p><p><font size="6">"昨别"一词不是口语,我嫌不够郎郎上口,二是少了一个"失"体现不出重大损失."不幸三姐"与"三姐不幸"语法有别,前"不幸"为定语,后"不幸"是主谓结构中的状语吧?前"不幸"修饰名词刘三姐,后"不幸"修饰动词"戴",我强调不是刘三姐作恶才不幸,而是莫坏人作恶使三姐不幸!</font></p><p align="left"><font size="5">附:越南民族政策及立法概况</font></p><p align="left"><font size="5"></font></p><p align="left"><font size="6"><font size="5">越南53个少数民族中有26个有自己的文字。越南政府对少数民族的语言文字实行保护政策,1991年8月16日颁布的《普及小学教育法》第四条规定:"小学实行越语教育,但同时各少数民族有权使用本民族语言文字,与越语一起用来进行小学教育。"在此基础上,越南少数民族文学艺术也得到不断发展,涌现出一批少数民族文学家和艺术家,优秀的民族文学艺术作品不断问世。目前,越南主要的少数民族出版物有越南通迅社《民族与山区》画报、越南民族学会的《民族与时代》、少数民族文化研究会的《各民族文化》等。此外,各类报刊杂志还经常刊登有关民族政策和少数民族文化的文章,广播和电视也不断播出少数民族语言节目。<br/> 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培养少数民族干部队伍。越南重视培养少救民族干部和知识分子,大力开发人力资源,实行鼓励和吸引各类支边干部的优惠政策(每乡可有1名扶贫支边志愿者享受国家编制待遇)。革新开放以来,越南少数民族干部队伍不断壮大,从乡、村到县、省政府和议会,乃至中央政府及国会,都有比例不等的少数民族干部,国会代表中不仅有人口较多的岱依、侬、泰、华等族的代表,也有人口较少的克木、倮倮、布拉、俄都(不足百人)等族的代表。目前,越共中央总书记农德孟就是岱依人。政府中也有少数民族的人担任部长、国家委员会主任;副部级及中层干部中少数民族的人数就更多;地方干部尤其是少数民族地区的干部中,少数民族干部的比例更高。军队中也有许多少数民族干部,其中有数十名将级军官和上千名校级军官。</font><font size="3"> </font> </font></p><p></p><font size="6"> </font><p></p><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/>[此贴子已经被作者于2010-8-20 13:39:28编辑过] <div class="msgheader">QUOTE:</div><div class="msgborder"><b>以下是引用<i>文教汉族</i>在2010-8-20 11:45:30的发言：</b><br/><div class="msgheader">QUOTE:</div><div class="msgborder"><strong></strong><br/><div align="right"><font color="#808080">[此贴子已经被作者于2010-8-19 21:54:34编辑过]</font></div></div><p><font size="6">多谢斧正,但我觉得少了很多东西,首先少了"<font size="6">美丽南方涌泪泣!"体现不出痛悼,"美丽南方涌泪泣"是一语双关的,既是陆老作品,又指美丽壮乡,美丽壮乡为什么哭泣?我仿佛听到靖西鹅泉在哭,漓水柳江也在哭的!我用"地"也是一语双关的!二是少了我的痛哭,我哭"先贤而今尽古稀"是因为担心壮族开国将军尽作古和政坛及文坛先贤尽古稀后,大厦将倾!</font><font size="6">我哭"后继文才谁使犁?"是哭问后继文才还有谁为美丽壮乡耕耘?是哭问屈原国殇式的使犁----"诚既勇兮又以武， 终刚强兮不可凌。 身既死兮神以灵， 子魂魄兮为鬼雄。"文才也包括文艺及文治之才,同时我也在鞭策自已要为美丽壮乡使犁,生为人杰,死为鬼雄!</font><font size="6">凉笠白布帘,在我眼中是白幡,僚三姐为僚壮乡带孝了!"</font><font size="6">岭南失声幡无旗!"是隐喻象征,隐喻象征不便说出来的现象,如陆老追悼会为什么主席不致悼词或不送挽联?旧式共产党人如毛朱周等是很有人情味的!陆老是革命老人</font><font size="6"> ,不仅仅是壮族作家!"豪言壮语不自由,</font><font size="6">彻夜歌声数泪遗!"是感时,是痛哭"国破山河在,城春草木深."的!壮语文不立法、不普及以及壮语卫视不开播,在我眼中壮族壮乡彻夜悲歌,哭干泪水还在数着泪痕痛哭......</font></font></p><p><font size="6"> "怎使犁?"阿屎不出赖地硬,听天由命,这是我要扭转的!</font></p><p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">好是好,但场景少,主题不够宏大悲壮!</font></p><p><font size="6">"昨别"一词不是口语,我嫌不够郎郎上口,二是少了一个"失"体现不出重大损失."不幸三姐"与"三姐不幸"语法有别,前"不幸"为定语,后"不幸"是主谓结构中的状语吧?前"不幸"修饰名词刘三姐,后"不幸"修饰动词"戴",我强调不是刘三姐作恶才不幸,而是莫坏人作恶使三姐不幸!</font></p><br/><div align="right"><font color="#808080">[此贴子已经被作者于2010-8-20 13:39:28编辑过]</font></div></div><p>我不太懂诗歌,,,只是觉得好玩,就按照一些网络山歌乱改的,,,,</p><p></p><p><font size="6">"<font color="#ff0000">才失怀升又失地</font>",一句诗中含两个相同的"<font color="#ff0000">失</font>"字,据说不妥,所以,我把他换个同意的"<font color="#ff3300">别</font>"字,"<font color="#ff0000">昨</font>"和"<font color="#ff3300">今</font>"自然是时间的对应词.</font></p><p align="center"><font size="6"> "<font color="#ff0000">美丽南方涌泪泣"</font>!其实,我只用"<font color="#f70909">南方</font>",也有陆地的<<美丽南方>>的意思,大的更有<font color="#f70909">"岭南僚地</font>"之意,至于"<font color="#ff3300">桑田成沧海</font>",你自己想想应该知道隐喻什么,也和后面的"<font color="#ff0000">犁</font>"对应,桑田都变成沧海了,怎使犁?海是"<font color="#ff3300">犁</font>"不了的!即使有再大的力气!再横溢的才华!</font></p><p align="center"><font size="6"> <p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">主题确实不够宏大悲壮!</font></p><p align="center"> 把"<font color="#ff0000">不幸</font>"放在前面,觉得更符合山歌韵味,也想表达现在的怎个三姐都是"<font color="#ff0000">不幸</font>"的,不只是"<font color="#f73809">戴凉笠</font>"而已,还有后面的"<font color="#ff3300">当鸬鹚</font>"!鸬鹚,是渔人的捕鱼工具,三姐现在何尝不是商人的赚钱工具?!比如漓江边上哪个裸女!</p></font></p><p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">主题确实不够宏大悲壮!</font></p><p align="center"> 把"<font color="#ff0000">不幸</font>"放在前面,觉得更符合山歌韵味,也想表达现在的怎个三姐都是"<font color="#ff0000">不幸</font>"的,不只是"<font color="#f73809">戴凉笠</font>"而已,还有后面的"<font color="#ff3300">当鸬鹚</font>"!鸬鹚,是渔人的捕鱼工具,三姐现在何尝不是商人的赚钱工具?!比如漓江边上哪个裸女!</p><p></p><p></p>
[此贴子已经被作者于2010-8-20 20:30:39编辑过] <div class="msgheader">QUOTE:</div><div class="msgborder"><b>以下是引用<i>称最</i>在2010-8-20 20:03:29的发言：</b><br/><div class="msgheader">QUOTE:</div><div class="msgborder"><b>以下是引用<i>文教汉族</i>在2010-8-20 11:45:30的发言：</b><br/><div class="msgheader">QUOTE:</div><div class="msgborder"><strong></strong><br/><div align="right"><font color="#808080">[此贴子已经被作者于2010-8-19 21:54:34编辑过]</font></div></div><p><font size="6">多谢斧正,但我觉得少了很多东西,首先少了"<font size="6">美丽南方涌泪泣!"体现不出痛悼,"美丽南方涌泪泣"是一语双关的,既是陆老作品,又指美丽壮乡,美丽壮乡为什么哭泣?我仿佛听到靖西鹅泉在哭,漓水柳江也在哭的!我用"地"也是一语双关的!二是少了我的痛哭,我哭"先贤而今尽古稀"是因为担心壮族开国将军尽作古和政坛及文坛先贤尽古稀后,大厦将倾!</font><font size="6">我哭"后继文才谁使犁?"是哭问后继文才还有谁为美丽壮乡耕耘?是哭问屈原国殇式的使犁----"诚既勇兮又以武， 终刚强兮不可凌。 身既死兮神以灵， 子魂魄兮为鬼雄。"文才也包括文艺及文治之才,同时我也在鞭策自已要为美丽壮乡使犁,生为人杰,死为鬼雄!</font><font size="6">凉笠白布帘,在我眼中是白幡,僚三姐为僚壮乡带孝了!"</font><font size="6">岭南失声幡无旗!"是隐喻象征,隐喻象征不便说出来的现象,如陆老追悼会为什么主席不致悼词或不送挽联?旧式共产党人如毛朱周等是很有人情味的!陆老是革命老人</font><font size="6"> ,不仅仅是壮族作家!"豪言壮语不自由,</font><font size="6">彻夜歌声数泪遗!"是感时,是痛哭"国破山河在,城春草木深."的!壮语文不立法、不普及以及壮语卫视不开播,在我眼中壮族壮乡彻夜悲歌,哭干泪水还在数着泪痕痛哭......</font></font></p><p><font size="6"> "怎使犁?"阿屎不出赖地硬,听天由命,这是我要扭转的!</font></p><p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">好是好,但场景少,主题不够宏大悲壮!</font></p><p><font size="6">"昨别"一词不是口语,我嫌不够郎郎上口,二是少了一个"失"体现不出重大损失."不幸三姐"与"三姐不幸"语法有别,前"不幸"为定语,后"不幸"是主谓结构中的状语吧?前"不幸"修饰名词刘三姐,后"不幸"修饰动词"戴",我强调不是刘三姐作恶才不幸,而是莫坏人作恶使三姐不幸!</font></p><br/><div align="right"><font color="#808080">[此贴子已经被作者于2010-8-20 13:39:28编辑过]</font></div></div><p>我不太懂诗歌,,,只是觉得好玩,就按照一些网络山歌乱改的,,,,</p><p></p><p><font size="6">"<font color="#ff0000">才失怀升又失地</font>",一句诗中含两个相同的"<font color="#ff0000">失</font>"字,据说不妥,所以,我把他换个同意的"<font color="#ff3300">别</font>"字,"<font color="#ff0000">昨</font>"和"<font color="#ff3300">今</font>"自然是时间的对应词.</font></p><p align="center"><font size="6"> "<font color="#ff0000">美丽南方涌泪泣"</font>!其实,我只用"<font color="#f70909">南方</font>",也有陆地的<<美丽南方>>的意思,大的更有<font color="#f70909">"岭南僚地</font>"之意,至于"<font color="#ff3300">桑田成沧海</font>",你自己想想应该知道隐喻什么,也和后面的"<font color="#ff0000">犁</font>"对应,桑田都变成沧海了,怎使犁?海是"<font color="#ff3300">犁</font>"不了的!即使有再大的力气!再横溢的才华!</font></p><p align="center"><font size="6"><br/> <p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">主题确实不够宏大悲壮!</font></p><p align="center">把"<font color="#ff0000">不幸</font>"放在前面,觉得更符合山歌韵味,也想表达现在的怎个三姐都是"<font color="#ff0000">不幸</font>"的,不只是"<font color="#f73809">戴凉笠</font>"而已,还有后面的"<font color="#ff3300">当鸬鹚</font>"!鸬鹚,是渔人的捕鱼工具,三姐现在何尝不是商人的赚钱工具?!比如漓江边上哪个裸女!</p></font></p><p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">主题确实不够宏大悲壮!</font></p><p align="center">把"<font color="#ff0000">不幸</font>"放在前面,觉得更符合山歌韵味,也想表达现在的怎个三姐都是"<font color="#ff0000">不幸</font>"的,不只是"<font color="#f73809">戴凉笠</font>"而已,还有后面的"<font color="#ff3300">当鸬鹚</font>"!鸬鹚,是渔人的捕鱼工具,三姐现在何尝不是商人的赚钱工具?!比如漓江边上哪个裸女!</p><p></p><p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">主题确实不够宏大悲壮!</font></p><p align="center">把"<font color="#ff0000">不幸</font>"放在前面,觉得更符合山歌韵味,也想表达现在的怎个三姐都是"<font color="#ff0000">不幸</font>"的,不只是"<font color="#f73809">戴凉笠</font>"而已,还有后面的"<font color="#ff3300">当鸬鹚</font>"!鸬鹚,是渔人的捕鱼工具,三姐现在何尝不是商人的赚钱工具?!比如漓江边上哪个裸女!</p><p></p><p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">主题确实不够宏大悲壮!</font></p><p align="center">把"<font color="#ff0000">不幸</font>"放在前面,觉得更符合山歌韵味,也想表达现在的怎个三姐都是"<font color="#ff0000">不幸</font>"的,不只是"<font color="#f73809">戴凉笠</font>"而已,还有后面的"<font color="#ff3300">当鸬鹚</font>"!鸬鹚,是渔人的捕鱼工具,三姐现在何尝不是商人的赚钱工具?!比如漓江边上哪个裸女!</p><p></p><p><font size="6">不幸三姐戴凉笠</font></p><p><font size="6">乌鸦换皮上金枝</font></p><p><font size="6">可怜僚家画眉鸟</font></p><p><font size="6">身困漓江当鸬鹚! </font></p><p><font size="6">主题确实不够宏大悲壮!</font></p><p align="center">把"<font color="#ff0000">不幸</font>"放在前面,觉得更符合山歌韵味,也想表达现在的怎个三姐都是"<font color="#ff0000">不幸</font>"的,不只是"<font color="#f73809">戴凉笠</font>"而已,还有后面的"<font color="#ff3300">当鸬鹚</font>"!鸬鹚,是渔人的捕鱼工具,三姐现在何尝不是商人的赚钱工具?!比如漓江边上哪个裸女!</p><p></p><p></p><br/><div align="right"><font color="#808080">[此贴子已经被作者于2010-8-20 20:30:39编辑过]</font></div></div><p><font size="6"> 毛主席<<蝶恋花.答李淑一>>一开头就是两个"失"----"我失骄杨君失柳",如歌如泣,"才失怀升又失地"也是如此,昨与今是时间,才与又也是时间,但更体现悲痛与重大损失,"画眉鸟"与"<font size="6">鸬鹚"用来比喻歌仙不恰当,此外诗歌还讲韵律,不只是押韵.我用"三姐不幸"起句头一个字是"三"平声,你倒过来用"不幸三姐"头一字是"不"第四声起,不一样的.</font></font></p><br/>
[此贴子已经被作者于2010-8-21 5:48:32编辑过] 据说，壮族的特色菜打菜包就是从《美丽的南方》广为人知的
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